DMRN Events
The DMRN organised a series of events to inform the development of the Roadmap. These events included discussions and break-out groups. Discussion groups considered topics and themes associated with the future of digital music research.International and UK speakers were invited the DMRN events to speak about state-of-the-art developments in research and their visions of future research activity. Several speakers from the digital music industries were also included in these programmes.
All the events below are documented on the DMRN web page and many presentations are available for download.
DMRN Launch day
17 Dec 2002
Invited contributors:
Gestural Control of Digital Sound Synthesis
Daniel Arfib (CNRS-LMA, Marseille)
Extracting and Exploiting High-level Music Descriptors for Electronic Music
Distribution Francois Pachet (Head of Music Team, Sony CSL, Paris)
Challenges and Opportunities for Music Technology in Higher Education
Carola Boehm, Nick Bailey (University of Glasgow)
Digital Music in the 21st Century
Mark Sandler (Queen Mary, University of London)
Cambridge Music Processing Symposium
28 March 2003
Invited contributors:
Musical Meter Estimation and Music Transcription
Anssi Klapuri, Tampere University of Technology, Tampere, Finland
Musical Structure and Content Repurposing with Bayesian Models
Michael Casey, Goldsmith's College London
Bayesian Harmonic Models for Musical Signal Analysis
Simon Godsill, University of Cambridge
Simulating a bowed violin string
Jim Woodhouse, University of Cambridge
Algorithms for discovering repeated patterns in multidimensional representations of polyphonic music
Dave Meredith, City University London
Finger Tapping on the Keyboard: Rhythmic Patterns, Rule-based or Associative Processes?
Rainer Speigel, University of Cambridge
Music as Biocultural Phenomenon
Ian Cross, University of Cambridge
Beat-based verses Interval-based timing: A matter of complexity?
Jessica Grahn, University of Cambridge
Where's Caruso? Singer Identification by Listener and Machine
Gregory Wakefield, University of Michigan
Audio Gets Smart: at AES 114, New York
13 October 2003
Semantic Audio Analysis
Dan Ellis, Columbia University, New York, US.
Semantic Audio Studio Tools and Techniques using MPEG-7
Michael Casey, City University London
Semantic Audio Analysis & Metadata Standards
Juergen Herre, Fraunhofer Institute, Erlangen, Germay
Workshop: The Future of Digital Music Research?
22 Dec 2003
Present and Future of Computer Music Research: A Personal View
Xavier Serra, UPF, Barcelona
The Psychoacoustics of Sound Recording
Tim Brookes, Inst of Sound Recording, University of Surrey
Composing with Technology: Challenges & Opportunities ahead
Ambrose Field, Dept of Music, University of York
All in the mind?
Geraint Wiggints, Centre for Computational Creativity, City University, London
A series of breakout groups discussed the above themes as part of this event. The groups consisted of researchers, research students and members of the digital music industry.
SARC/DMRN Research Workshops
Sonic Arts Research Centre, Queen's University Belfast, UK
27-29 April 2004
Speakers included:
Richard Coyne (University of Edinburgh)
Simon Waters (University of East Anglia)
Andrea Zapp (Manchester Metropolitan University)
Perry Cook (Princeton University),
Stefania Serafin (Aalborg University, Denmark),
Julien Bensa (CCRMA, ex-LMA Marseilles).
Henkjan Honing (Music, Mind, Machine group, Universiteit van Amsterdam)
Alan Marsden (Lancaster University)
Francois Pachet (Sony CSL-Paris)
Mark Steedman (University of Edinburgh)
Leeds International Music Technology Education Conference 2004
Invited contributors:
Nic Collins from the Sound Faculty of the School of the Art Institute of Chicago
Andy Arthurs from the Queensland University of Technology in Brisbane
Paul White and Hugh Robjohns from Sound on Sound magazine
The Future of Audio: Digital Music in 2010
York event 24 Nov 2004
Potential futures: Future directions in digital music research
Dr Ambrose Field and Dr Tony Myatt, University of York.
Music scene analysis as a grand challenge for digital music
Dr Mark Plumbley, Queen Mary's, University of London
An industry view
Andy Dowell, Dolby Laboratories, UK
Perceptually Motivated Measurement and Control of Digital Music
Dr Tim Brookes and Dr Russell Mason, University of Surrey
Contemporary artistic practice in digital music
Oswald Berthold, Farmers Manual - Real-world coupled generative systems,
composition by monitoring/opensoundcontrol
MPEG7 report Dr Michael Casey, Goldsmiths College, University of London
Sound to Sense, Sense to Sound (S2Sē)
Damien Cirotteau,Media Innovation Unit (MIU-FT), Italy
M2K (Music-to-Knowledge) European/United Kingdom Workshop
Goldsmiths College, University of London, London, UK 15-16 April 2005
Contributors included:
J. Stephen Downie, IMIRSEL Director, University of Illinois at Urbana-Champaign
Andreas Ehmann, Electronic Engineering, University of Illinois at Urbana-Champaign
David Tcheng, NCSA, Research Programmer, University of Illinois at Urbana-Champaign
Kris West, University of East Anglia
ISMIR 2005
6th International Conference on Music Information Retrieval
London, UK 11 - 15 September 2005
Keynote speakers:
Text and non-text: the ascendancy of words
Stephen Robertson
Microsoft Research Cambridge & Professor of Information Systems, Dept of Information Science, City University, London
Towards the Complete Musicologist?
Nicholas Cook, FBA
Research Professor of Music, Royal Holloway, University of London & Director, AHRC Research Centre for the History and Analysis of Recorded Music
Invited Talk: Sonifications
Thomas Dolby, Headspace, Inc
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